Creating Exhibitions: Collaboration in the Planning, Development, and Design of Innovative Experiences

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2023-02-14
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John Wiley & Sons Inc
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ผลงานนี้เผยแพร่ภายใต้ สัญญาอนุญาตครีเอทีฟคอมมอนส์แบบ แสดงที่มา-ไม่ใช้เพื่อการค้า-อนุญาตแบบเดียวกัน 4.0 (CC BY-NC-SA 4.0)
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"A rich and detailed description of the team approach to creating museum exhibitions. Janet Kamien and Polly McKenna-Cress were pioneers in developing this successful approach, and their experience, wisdom, and humor shine through on every page. A must-read for anyone involved in museum exhibitions." —Kathleen McLean, Principal, Independent Exhibitions "This book is like having a personal mentor by your side during every step of the exhibition process. The authors have written a book that is concise, insightful, practical, and friendly—just what you need during a complex and often tense process." —Elaine Heumann Gurian, Senior Consultant, The Museum Group Exhibition design involves numerous disciplines, variable physical and intellectual content, and the goal of enabling visitors to understand and enjoy complex topics more completely. It is a necessarily collaborative and multilayered process. Creating Exhibitions is the first guide of its kind: a one-stop resource that integrates the design process with content development to deliver a comprehensive program for conceiving, designing, and installing exhibitions. Structured around the key phases of the exhibition creation process, this team-oriented guide covers the entire project duration and offers problem-solving techniques supported by useful examples of how each solution was strategically applied. It offers this critical information in the context of a collaborative design process, speaks to a broad range of stakeholders in any exhibition project, and encourages innovation in every aspect of planning, development, and design. Both comprehensive and closely detailed, this one-stop manual: Delivers in-depth coverage of current thinking and research in exhibition design along with case studies that illustrate how the process was applied Includes exercises and experiments that provide hands-on experience with different concepts and approaches Features contributions from leading exhibition and museum professionals from all levels, offering multiple points of view for achieving collaboration and innovation Creating Exhibitions is an indispensable resource for professionals and students in architecture, graphic design, environmental graphic design, industrial design, digital media, lighting and theater, interior design, and landscape architecture. It is a valuable tool for anyone who wants to become not just a practitioner, but also an innovator in this fascinating and rewarding field.
Table of contents
CHAPTER 1: COLLABORATION Collaboration Unpacked Why Collaborate? Why Collaborate in Museums? How to Collaborate A Case Strdy: Science Gallety, Dublin An Intrinsic Imperative -- CHAPTER 2: ADVOCACIES AND ACTION STEPS Advocacy Positions as a Team Creation Strategy Five Advocacies Needed for Every Team Action Steps Dangers and Pitfalls -- CHAPTER 3: ADVOCACY FOR THE INSTITUTION Creating the Landscape for Exemplary Exhibitions Laying the Foundation Planning Major Change Plan Ahead, Leslie Swartz Reflecting Institutional Identity, Charlie Walter Review, Critique, and Approval Institutional Culture and Risk Assessing Results and Learning from Them -- CHAPTER 4: ADVOCACY FOR THE SUBJECT MATTER It's about Something Tool Approach and Philosophy Object or Idea Driven Dangers for the Subject Matter Expert History through Objects, Jessica Neuwirth An Art Historian's Perspective, Rachel McGarry -- CHAPTER 5: ADVOCACY FOR VISITOR EXPERIENCES Developing Exhibition Content for Visitors Getting Started: Developing the Concepts Strategies for Organizing Information Synthesizing and Presenting Initial Concepts Organizing the Concepts into a Cohesive Narrative The Story on Storyelling, Leslie Bedford Documentation and Presentation Getting the Details Ironed Out: How Does This Thing Really Work? Educator as Advocate, Shari Rosenstein Werb Strategies for Ironing Out the Details -- CHAPTER 6: ADVOCACY FOR DESIGN Advocating for the Physical and Sensory Experience Design Advocacy: Working within the Collaboration Primary Exhibition Design Principles The Launch of Design Spatial Planning and Visitor Flow Gestalt-Sensory Perception Forming a Whole The Impact of Lighting, Lauren Helpern and Traci Klainer Polimeni The Medium Is the Message: Modes of Display Wheel of Dependent Implementarion, Jeff Hoke Environmental Graphic Design, Richard Cress Multimedia Integration, Richard Lewis Magic and Illusion in Exhibition, Diane Perlov Theater and Immersive Encironnents, Donna Lawrence Object Theater, Paul Martin Accessible and Universal Design Accessible Design, Lath Carlson Environmentally Sound Practice Sustainable Exhibitions, Lath Carlson Conclusion -- CHAPTER 7: ADVOCACY FOR PROJECT AND TEAM Managing the Project and Team Creating a Schedule Creating a Budget Managing a Tearn -- CHAPTER 8: METHODS AND TECHNIQUES Getting the Most out of the Process Process Documentation Ways to Produce and Shape Ideas Concept Organization and Visual Documentation Sketching as Team visualization, Dottie Miles Making Decisions and Conducting Evaluation Evaluation,Jeff Hayward Pilot Testing, Dana Schloss & Katherine Ziff Prototyping to Test Ideas, Erika Kiessner Visitors' Bill of Rights, Judy Rand Writing a Successful REP, George Mayer -- CHAPTER 9: PROCESS AND PHASES How Do We Set Up Our Process? Process Outline Process Phases The Postpartum: Evaluating, Maintaining, Evolving, and Documenting Exhibition Closing INDEX
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