Plantation to Nation
Plantation to Nation
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application/pdf
Date
2023-06-07
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Common Ground
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ผลงานนี้เผยแพร่ภายใต้ สัญญาอนุญาตครีเอทีฟคอมมอนส์แบบ แสดงที่มา-ไม่ใช้เพื่อการค้า-ไม่ดัดแปลง 4.0 (CC BY-NC-ND 4.0)
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ผลงานนี้เผยแพร่ภายใต้ สัญญาอนุญาตครีเอทีฟคอมมอนส์แบบ แสดงที่มา-ไม่ใช้เพื่อการค้า-ไม่ดัดแปลง 4.0 (CC BY-NC-ND 4.0)
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Caribbean museums and national identity / edited by Alissandra Cummins, Kevin Farmer, and Roslyn Russell.
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Abstract
Haitian anthropologist Michel-Rolph Trouillot, in his discussion on how the current global Westernized hegemony treats specific historical events, events chosen for their relevance to the text of Western dominance, has addressed absences (or silences as 'inherent in the creation of sources, the first moment of historical production' (Trouillot, 1995, p. 51). People and places that are designated 'Third World' often find their history has (or has been)
'disappeared'. He references complex historiographical occurrences of this process of historical production, whereby black and poor societies were not just physically ostracized, but in a sense mentally too as they basically
'disappeared' from the historical text. He states: 'History reveals itself only through the production of specific narratives. What matters most are the process and conditions of such narratives .
... Only through that overlap can we
discover the differential exercise of power that makes some narratives possible and silences others.
Table of contents
Table of content–Acknowledgements ix–Foreword ix –List of Illustrations xiv–
Introduction 1 –Chapter 1: Natural History = National History: Early Origins and
Organizing Principles of Museums in the English-speaking
Caribbean , Alissandra Cummins 11 –
Chapter 2: Haiti, Museums and Public Collections: Their History and Development after 1804
, Marie-Lucie Vendryes 47 –
Chapter 3: The History and Evolution of Cuban Museums
José Linares 57 – Chapter 4: The Natural History Collections of the University of the West Indies (UWI), Mike G. Rutherford 69 – Chapter 5: The National Gallery of Jamaica: A Critical History ,Veerle Poupeye 83 –Chapter 6: The Creation of the National Museum of Bermuda,
1974-2011,Edward Cecil Harris 109 –,Chapter 7: Recapturing History: Suriname Museum in Fort Zeelandia.,Hilde Neus 123 – Chapter 8: Museography and Places of Remembrance of Slavery in Martinique or the Gaps in a Memory Difficult to Express , Christine Chivallon137
– Chapter 9: New Perspectives in Heritage Presentations in Suriname and Curaçao: From Dutch Colonial Museums to Diversifying Representations of Enslavement
, Valika Smeulders 153 – Chapter 10: New Museums on the Block Creation of Identity in the Post-Independence Caribbean, Kevin Farmer 160 – Chapter 11: Framing Identity, Encouraging Diversity: Recent Museum Developments in Barbados, Roslyn Russell –Chapter 12: The Memorial Museum of the Dominican Resistance:Its Composition and Role in Society,
Luisa De Peña Diaz 195 –Chapter 13: Children Get Your Culture: Museums, Individualism, and Nationalism in Jamaica,Rebecca Tortello 205. – Chapter 14: Outreach or Out of Reach? Seeking New Audiences: The Turks and Caicos National Museum Children's Club,Nigel Sadler 221 –Chapter 15: Museums and the Challenge for Heritage Organizations in Saint Lucia,Winston F. Phulgence 233 –Chapter 16: Destroying while Preserving Junkanoo: The Junkanoo Museum in the Bahamas,Krista Thompson 241 –Author Biographies 245 –
Index 255 –
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Common Ground