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ItemAbsence and Difficult Knowledge in Contemporary Art Museums(Routledge, 2018) Margaret TaliThis book analyzes practices of collecting in European art museums from 1989 to the present, arguing that museums actualize absence both consciously and unconsciously, while misrepresentation is an outcome of the absent perspectives and voices of minority community members which are rarely considered in relation to contemporary art. Difficult knowledge is proposed as a way of dealing with absence productively.
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ItemArt in quest of heaven and truth : Chinese jades through the ages(National Palace Museum, 2019-02-07) Teng Shu-pʻing ; Chang Li-tuan ; Tsai Ching-liangการจัดการแสดงนิทรรศการหยกในประเทศไต้หวัน หยกทุกชิ้นในนิทรรศการที่ถูกคัดเลือกมาแล้วว่าดีที่สุด เพื่อนำเสนอความหมาย ความงดงามทางวัฒนธรรม ภายในเล่มได้กล่าวถึงทั้งเรื่องประวัติความเป็นมา ความสำคัญ ชนิดของหยก การแกะสลักทั้งในเรื่องฝีมือของช่างและความสำคัญของงานแกะสลัก รวมถึงเรื่องอื่นๆ ของหยกที่น่าสนใจอีกมากมาย เพื่อเป็นการทำให้เห็นคุณค่าของธรรมชาติผ่านความสวยงามของหยก
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ItemArt of Southeast Asian Textiles(Tilleke & Gibbins International Ltd., 2022-06-07) Linda S. McIntoshA scholarly catalogue of Southeast Asian textiles in the collection of the law firm Tilleke & Gibbins based in Bangkok, Thailand.
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ItemDe Byzance à Istanbul : un port pour deux continents(Éditions de la Réunion des musées nationaux, 2019-02-07) Ölçer, Nazan, 1942-; Galeries nationales du Grand Palais (France); Réunion des musées nationaux (France)หนังสือเล่มนี้เล่าเรื่องราวประวัติศาสตร์ของไบแซนเทียม คอนสแตนติโนเปิล และอิสตันบูล 3 สัญลักษณ์ของอารยธรรมกรีกโรมันไบแซนไทน์และออตโตมัน มิติทางประวัติศาสตร์การตั้งถิ่นฐานของมนุษย์ในศตวรรษที่ 20 ความมั่งคั่งทางศิลปะผลงานชิ้นเอกของรูปปั้นกรีกหรือโบสถ์ไบแซนไทน์สมบัติล้ำค่าของ Topkapi หออะซานและโดมของ Sinan ท่าเรือโบราณของธีโอโดซิอุสแหล่งโบราณคดีทางทะเลที่ใหญ่ที่สุด และ Orhan Pamuk ผู้ได้รับรางวัลโนเบลสาขาวรรณกรรม รวมถึงภาพผลงานศิลปะที่ไม่ได้ตีพิมพ์กว่า 450 ภาพ
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ItemChansean Museum(princess Maha Chakri Sirindhorn Anthropology Centre, 2019-02-07) Wilailak Songsiri and Mongkhon Plianbangchangเมืองโบราณจันเสนที่ปัจจุบันได้จัดให้เป็นพิพิธภัณฑ์ ได้บอกเล่าเกี่ยวกับประวัติความเป็นมาของเมืองจันเสน พระครูนิสัยจริยคุณ พระมหาธาตุเจดีย์ศรีจันเสนทั้งประวัติความเป็นมา จิตรกรรม ประติมากรรมและสถาปัตยกรรม วัตถุโบราณและเมืองโบราณที่สันนิษฐานว่าสร้างขึ้นตั้งแต่สมัยทวารวดี รวมถึงขนบธรรมเนียม ประเพณีของชาวจันเสนที่ถูกสืบทอดและยังมีให้เห็นอยู่ในปัจจุบัน
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ItemCollecting and Displaying China's "Summer Palace" in the West The Yuanmingyuan in Britain and France(Routledge, Taylor & Francis Group, 2018) Louise TythacottThe history of modern Sino-European relations is still insufficiently known, yet it is of such vital importance to an understanding of China's place and self-positioning in the world today. This volume of essays on Yuanmingyuan by leading and pioneering authors on the topic expertly guide readers through controversial terrain. They often unpublished new materials and original perspectives that will generate new scholarship in a lively field of inquiry." -Ting Chang, University of Nottingham The fate of the objects from Beijings Summer Palace-including their roles in shaping Western views of China and ongoing debates about repatriation-is an immensely interesting and important subject.
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ItemCollection of the most remarkable monuments of the National Museum (vol.4)(Forgotten Books, 2018-07-04) Gargiulo, Raphaelหนังสือเล่มนี้รวบรวมภาพประติมากรรมดินเผาและจิตรกรรมบนแจกันที่มีความโดดเด่นของพิพิธภัณฑสถานแห่งชาติ เนปาล
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ItemEngaging Communities Through Civic Engagement in Art Museum Education( 2024-02-16) Bryna BobickAs art museum educators become more involved in curatorial decisions and creating opportunities for community voices to be represented in the galleries of the museum, museum education is shifting from responding to works of art to developing authentic opportunities for engagement with their communities. Current research focuses on museum education experiences and the wide-reaching benefits of including these experiences into art education courses. As more universities add art museum education to their curricula, there is a need for a text to support the topic and offer examples of real-world museum education experiences. Engaging Communities Through Civic Engagement in Art Museum Education deepens knowledge on museum and art education and civic engagement and bridges the gap from theory to practice. The chapters focus on various sectors of this research, including diversity and inclusion in museum experiences, engaging communities through new techniques, and museum and university partnerships. As such, it includes coverage on timely topics that include programs and audience engagement with the LGBTQ+, refugee, disability, and senior communities; socially responsive museum pedagogy; and the use of student workers. This book is ideal for museum educators, museum directors, curators, professionals, practitioners, researchers, academicians, and students who are interested in updated knowledge and research in art education, curriculum development, and civic engagement.
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ItemFrom Folk Life and Myths to a Modern World Works from the Collections of the Ateneum Art Museum II 1870-1909( 2019-02-08) Ateneumin Taldemuseo, Konstmuseet Ateneum, Ateneum Art MuseumThis book presents works by Finnish artists from the collections of the Ateneum Art Museum, introducing Finnish art from the turn of the 20th century. Artists were either aspiring to the sophisticated or bohemian life of the French, or presenting their own people. The delicate effects of Impressionism, adopted in France, were used for depicting both the world of Kalevala as well as the Breton people and seaside, and views of Paris as well as the Finnish winter. Intimate pictures of familiar people and places unravel the Finnish mentality.
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ItemFrom Landscapes of the Mind into New Directions Works from the Collections of the Ateneum Art Museum III 1894-1986( 2019-02-08) Ateneumin Taldemuseo, Konstmuseet Ateneum, Ateneum Art MuseumThis book presents works by Finnish artists from the collections of the Ateneum Art Museum, moving from the internalised Symbolism to a world of the modern man. Portraits turn their gaze both inward and outward. Stories of the countryside and cities make us pause in front of the transition in Finnish life and art. Bright colours and new styles are explored in still lifes as well as in depicting the mysteries of life. The journey ends in the visions of artists all brave and beautiful in their own way.
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ItemFrom Slient Portraits to the Forces of Nature Works from the Collections of the Ateneum Art Museum I( 2019-02-08) Ateneumin Taldemuseo, Konstmuseet Ateneum, Ateneum Art MuseumThis book presents works by Finnish artists from the collections of the Ateneum Art Museum, illustrating the beginnings of our art scene, in the spirit of sophisticated Rococo and Romanticism. Artists went abroad for further studies, to Sweden, Italy, and Germany. Life in the grand duchy was mingled with a longing for distant lands, nature in the popular landscapes appears both wild and cultivated, and the past shows either solemn reflection or the joy of living.
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ItemHow Art Works : The Concepts Visually Explained(Dorling Kindersley Limited, 2023-02-14) DK ; Aliki Braine, Editorial Consultant ; Duncan Turner, Senior Art Editor ; Stephen Bere, Amy Child, Mark Lloyd, Project Art Editors ; Hugo Wilkinson, Senior Editor ; Anna Fischel, Ian Fitzgerald, Kathryn Hill, Natasha Kahn, Alice Nightingale, Editors ; Michael Duffy, Managing Art Editor ; Angeles Gavira Guerrero, Managing Editor ; Saloni Singh, Managing Jackets Editor ; Ed Burn, Vicky Clarke, Natalie Clay, Mark Clifton, Mark Ruffle, Gus Scott, Illustrators ; Emily Kho, Editorial Assistant ; Sophia MTT, Jacket Designer Development Manager ; George Bray, Theodore Gordon, Alison Hand, Susie Hodge, Natasha Kahn, Contributors ; Surabhi Wadhwa-Gandhi, Jackets Design ; Priyanka Sharma, Senior Jackets Coordinator ; Suhita Dharamjit, Senior Jacket Designer ; Harish Aggarwal, Senior DTP Designer ; Laura Andrews, Production Controller ; Kavita Varma, Production Editor ; Liz Wheeler, Associate Publishing Director ; Karen Self, Art Director ; Jonathan Metcalf, Publishing DirectorThe simplest, most visual explanation of art - ever How does perspective work? Why do some paintings make us feel certain ways? What is Impressionism and why is it important? Art can be daunting for beginners - but it doesn't have to be. With the help of this book you can see how art is made, learn about its different forms, and understand the ways artists convey messages. With clear, easy-to-understand graphics and packed with fascinating facts, How Art Works explains everything you need to know about art, from the basic tools and techniques to the meanings of great masterpieces.
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ItemImprints of Buddhas : Buddhist art in the National Palace Museum collection( 2015) Lee Yu-ming ; Chung Tzu-yin
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ItemThe International Print and Drawing Exhibition(มหาวิทยาลัยศิลปากร และ กรุงเทพฯ, 2019-02-07)แสดงภาพพิมพ์และวาดเส้นนานาชาติ เนื่องในวาระฉลองครบรอบ 60 ปี มหาวิทยาลัยศิลปากร เพื่อเปิดโอกาสให้ศิลปินไทยและศิลปินจากทั่วโลกส่งผลงานภาพพิมพ์และภาพวาดเส้นเข้าประกวดและคัดเลือกเข้าร่วมแสดงเพื่อเป็นการกระตุ้นให้เกิดการร่วมกันสร้างสรรค์ศิลปกรรมในระดับนานาชาติและเป็นการแลกเปลี่ยนความสัมพันธ์ทางด้านวัฒนธรรมร่วมกันของชาวโลก
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ItemKhon mask : Thailand's heritage(Thai Art Museum, 2014) Clonzt, Jack M.
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ItemThe Magic of Kneaded Clay :Ceramic Collection of the National Palace Museum(National Palace Museum, 2018) Yu Pei-ChinThe Magic of Kneaded Clay means a magnificent process in which raw materials are turned into perdurable vessels. However, the success of this process is conditioned by various factors. As described in a letter written by Père François Xavier d'Entrecolles(1664-1741), French missionary worked in Eighteenth century Jingdezhen, it is extremely difficult to make pottery.
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ItemMax Beckmann at the Saint Louis Art Museum : the paintings(DelMonico Books/Prestel, 2015) Roth, Lynette ; St. Louis Art Museum ; Beckmann, Max, 1884-1950
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ItemMuseum Experience Design(Springer International Publishing, 2018) Arnold Vermeeren ; Licia Calvi ; Amalia SabiescuExplores the implications of contemporary trends that are shaping the future of museum experience design Unravels theoretically as well as through example design cases the complexity of designing for museums as part of ecosystems Discusses and illustrates the impacts of novel technologies on museum experience design Illustrates and reflects on dealing with diverse audiences and online crowds in designing engaging museum experiences
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ItemThe Museum of Augustus(J. Paul Getty Museum, 2016-11-16) Heslin,Peterหนังสือเล่มนี้เกี่ยวกับ Museum of Augustus กล่าวถึงวิหารอพอลโลในปอมเปอี พอตติโกจากฟิลิปปัสในกรุงโรม และบทกวีละติน ในเล่มจะแบ่งเนื้อหาออกเป็นสองเรื่องใหญ่ ๆ ได้แก่ ศิลปะในปอมเปอี ที่จะกล่าวถึง ความเป็นมาของวิหารดอพอลโล ศิลปะบนกำแพงด้านทิศตะวันออกของวิหารและระเบียง สำเนาร่างและแบบจำลองของงานศิลปะ เรื่องที่สองเป็นเรื่องเกี่ยวกับศิลปะและบทกวีในกรุงโรม จะกล่าวถึง พอตติโกจากฟิลิปปัสและวิหารที่สมมติขึ้นหรืออยู่ในจินตนาการ ภายในเล่มจะประกอบไปด้วยภาพเขียน ภาพจิตรกรรม ที่บ่งบอกถึงสถาปัตยกรรมและประวัติศาสตร์ศิลป์ในสมัยโบราณ เช่น สงครามม้าโทรจัน ยุคสมัยของกรีก ซึ่งภาพทุกภาพจะอธิบายรายละเอียด มีภาพเปรียบเทียบระหว่างภาพถ่ายกับภาพวาดลายเส้น เบื้องหลัง ความเป็นมา สอดแทรกอยู่ภายในภาพด้วย
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ItemThe Museum of Lost Art(Phaidon, 2020-02-12) Noah Charney
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ItemPrivate Collecting, Exhibitions, and the Shaping of Art History in London(Routledge, Taylor & Francis Group, 2018) Stacey J. Pierson.The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen's club with a singular remit - to exhibit members' art collections. Exhibitions were proposed, organized and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members' social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art-historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be told and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship and art world practice that is surprisingly diverse and interconnected.
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ItemPrivate Collecting, Exhibitions, and the Shaping of Art History in London(Routledge, Taylor & Francis Group, 2018) Stacey J. Pierson.The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen's club with a singular remit - to exhibit members' art collections. Exhibitions were proposed, organized and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members' social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art-historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be told and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship and art world practice that is surprisingly diverse and interconnected.
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ItemReturning Southeast Asia's Past(NUS Press, 2022-06-07) Louise Tythacott ; Panggah ArdiyansyahThe last 150 years has seen extensive looting and illicit trafficking of Southeast Asia's cultural heritage. Art objects from the region were distributed to museums and private collections around the world. But in the 21st century, power relations are shifting, a new awareness is growing, and new questions are emerging about the representation and ownership of Southeast Asian cultural material located in the West. This book is a timely consideration of object restitution and related issues across Southeast Asia, bringing together different viewpoints including from museum professionals and scholars in Cambodia, Thailand, Vietnam and Indonesia—as well as Europe, North America and Australia. The objects themselves are at the centre of most narratives from Khmer art to the Mandalay regalia (repatriated in 1964), Ban Chiang archaeological material and the paintings of Raden Saleh. Legal, cultural, political and diplomatic issues involved in the restitution process are considered in many of the chapters; others look at the ways object restitution is integral to evolving narratives of national identity. The book's editors conclude that restitution processes can transform narratives of loss into opportunities for gain in building knowledge and reconstructing relationships across national borders.
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ItemSaraswati in Bali : a temple, a museum, and a mask(ARMA, The Agung Rai Museum of Art in association with BAB Publishing Indonesia, 2014) Jenkins, Ronald ScottWorshipped as the goddess of knowledge, beauty, and the arts, Saraswati continues to influence daily life in the Balinese village of Peliatan. Saraswati in Bali explains how one of the world's most famous tourist destinations strives to preserve its cultural traditions through the ceremonies, shadow plays, and masked dances held at the Pura Madya temple festival as well as the art collection, landscaped gardens, and cultural events at the nearby ARMA Museum. Theater professor Ron Jenkins has studied Balinese arts and culture for more than thirty years. In this enlightening volume, he shares vivid descriptions of the festival and lively interviews with painters, dancers, farmers, kings, and priests to illustrate Balinese beliefs in the sacred power of art and literature. He also documents how ancient texts inscribed on palm-leaf manuscripts suggest that Saraswati's teachings enrich human life with invisible meaning. Anyone interested in the performing arts or world mythology will be fascinated by the way the museum and temple have helped to keep Bali's hidden wisdom accessible in changing times.