The folk performing arts in ASEAN
The folk performing arts in ASEAN
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Date
2019-02-07
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Princess Maha Chakri Sirindhorn Anthropology Center
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ผลงานนี้เผยแพร่ภายใต้ลิขสิทธิ์ของของสถาบันพิพิธภัณฑ์การเรียนรู้แห่งชาติ
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Abstract
The essays in this collection were prepared for the SAC International Conference on Folk Performing Arts in ASEAN, hosted by Sirindhorn Anthropology Centre, September 4th-6th, 2015, on the special occasion of the 60th Anniversary of the Birth of Her Royal Highness Princess
Table of contents
Contributors
Introduction, Narupon Duangwises
Folk Performing Arts in ASEAN, Surapone Virulrak
The Folk Performing Arts in ASEAN Education: Outputs and Expectations
The Phenomenon of Change in Folk Performing Arts and Its Impact on ASEAN Education: New Strategies, Ramon Pagayon Santos
The Crisis and Protection of ASEAN Folk Performances
The Folk Performing Arts of Cambodia, Sam-ang Sam
Folk Performances in Tourism, Consumerism and Economics
Touristic Performing Arts in Bali: Tradition and Modernization, I Wayan Rai
Rereading the Direction of “Siam Niramit", Dangkamon Na-pombejra
Performing Faith, Celebrating Plenty, Conserving Tradition: the Case of the Carabao Festival of Pulilan, Bulacan, Philippines, Reuben Ramas Cañete
Folk Performances and Popular Culture
Folk Performances and Popular Culture in Viet Nam
Nguyen Kim Dung
Dance and Beyond: Performing and Observing Igal (Dance) of Bajau Laut Communities in Semporna, Sabah, Malaysia, Hafzan Zannie Hamza
Rock 'n Roll, Modernity, and the Making of a Classed Society in 1960s/70s Jakarta, Buni Yani
Folk Performances and Gender
Cross Gender in Indonesian Tradition, Didik Hadiprayitno The Pak Yong Actor as a Symbol of Transportation of ‘Male-Femininity' and “Cross Gender Acting” in Mak Yong Theatre Performance, Nor Shuradi Haji Nor Hashim
Artists, Transmitting of Knowledge and Sustainability of Folk Performances
Dissolving Contempt: Strategies at Gitameit Music Center for Inviting New Listeners to Old Music, Kit Young
Folk Performances and Narratives, Beliefs and Rituals
Saba Dance Performance: From the Narrative Animistic
Belief to the Healing Ritual, Mohd Kipli bin Abdul
Rahman
The Innovation of Folk Theatre in Modern Bali, I Wayan Dibia
Folk Performing Objects, Preservation and Construction of Cultural Identity
From Non-Structure to Structured: The Preservation of Tandak Melayu Sarawak, Nurulakmal binti Abdul Wahid Reconfiguring Folk Performance for the Contemporary Stage: Sintang Dalisay and the Igal of the Sama-Bajauin Southern Philippines, Ricardo Abad and Matthew Santamaria
Politics and Representation of National Identity in Folk Performances
Chinese Lions and Dragons Perform a Collective Identity and Community in Malaysia, Tan Sooi Beng
Hokkien opera in Singapore: Cultural Continuity and Social Change, Chua Soo Pong
Chinese Music in the Philippines: History and Contemporary Practices, Arsenio Nicolas
Mobility, Exchange, Networking, and International Collaboration for Folk Performing Artists
Cambodia: Mobility, Exchange, Networking and International Collaboration for Folk Performing Artists, Sam-ang Sam
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Subject(s)
Performing arts--Southeast Asia--Congresses,
Performing arts--Southeast Asia,
Performance art--Southeast Asia,
Performance art--Southeast Asia--Congresses,
Dance--Southeast Asia,
Dance--Southeast Asia--Congresses,
Folk dancing--Southeast Asia--Congresses,
Folk dancing--Southeast Asia,
Cultural performances,
Folk performances,
Popular Culture,
Museum in General,
Southeast Asia--Culture