The folk performing arts in ASEAN
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Author(s):
Abstract:
The essays in this collection were prepared for the SAC International Conference on Folk Performing Arts in ASEAN, hosted by Sirindhorn Anthropology Centre, September 4th-6th, 2015, on the special occasion of the 60th Anniversary of the Birth of Her Royal Highness PrincessTable of contents:
Contributors Introduction, Narupon Duangwises Folk Performing Arts in ASEAN, Surapone Virulrak The Folk Performing Arts in ASEAN Education: Outputs and Expectations The Phenomenon of Change in Folk Performing Arts and Its Impact on ASEAN Education: New Strategies, Ramon Pagayon Santos The Crisis and Protection of ASEAN Folk Performances The Folk Performing Arts of Cambodia, Sam-ang Sam Folk Performances in Tourism, Consumerism and Economics Touristic Performing Arts in Bali: Tradition and Modernization, I Wayan Rai Rereading the Direction of “Siam Niramit", Dangkamon Na-pombejra Performing Faith, Celebrating Plenty, Conserving Tradition: the Case of the Carabao Festival of Pulilan, Bulacan, Philippines, Reuben Ramas Cañete Folk Performances and Popular Culture Folk Performances and Popular Culture in Viet Nam Nguyen Kim Dung Dance and Beyond: Performing and Observing Igal (Dance) of Bajau Laut Communities in Semporna, Sabah, Malaysia, Hafzan Zannie Hamza Rock 'n Roll, Modernity, and the Making of a Classed Society in 1960s/70s Jakarta, Buni Yani Folk Performances and Gender Cross Gender in Indonesian Tradition, Didik Hadiprayitno The Pak Yong Actor as a Symbol of Transportation of ‘Male-Femininity' and “Cross Gender Acting” in Mak Yong Theatre Performance, Nor Shuradi Haji Nor Hashim Artists, Transmitting of Knowledge and Sustainability of Folk Performances Dissolving Contempt: Strategies at Gitameit Music Center for Inviting New Listeners to Old Music, Kit Young Folk Performances and Narratives, Beliefs and Rituals Saba Dance Performance: From the Narrative Animistic Belief to the Healing Ritual, Mohd Kipli bin Abdul Rahman The Innovation of Folk Theatre in Modern Bali, I Wayan Dibia Folk Performing Objects, Preservation and Construction of Cultural Identity From Non-Structure to Structured: The Preservation of Tandak Melayu Sarawak, Nurulakmal binti Abdul Wahid Reconfiguring Folk Performance for the Contemporary Stage: Sintang Dalisay and the Igal of the Sama-Bajauin Southern Philippines, Ricardo Abad and Matthew Santamaria Politics and Representation of National Identity in Folk Performances Chinese Lions and Dragons Perform a Collective Identity and Community in Malaysia, Tan Sooi Beng Hokkien opera in Singapore: Cultural Continuity and Social Change, Chua Soo Pong Chinese Music in the Philippines: History and Contemporary Practices, Arsenio Nicolas Mobility, Exchange, Networking, and International Collaboration for Folk Performing Artists Cambodia: Mobility, Exchange, Networking and International Collaboration for Folk Performing Artists, Sam-ang SamSubject(s):
Performing arts--Southeast Asia--Congresses
Performing arts--Southeast Asia
Performance art--Southeast Asia
Performance art--Southeast Asia--Congresses
Dance--Southeast Asia
Dance--Southeast Asia--Congresses
Folk dancing--Southeast Asia--Congresses
Folk dancing--Southeast Asia
Cultural performances
Folk performances
Popular Culture
Southeast Asia--CultureResource type:
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application/pdfMetadata
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The folk performing arts in ASEAN.pdf
